Podcasting Legal Guide For Canada

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This practice, outlined at http://creativecommons.org/technology/embedding, allows users of CC-enabled filesharing programs such as LimeWire and Morpheus to find and spread legal content.

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Since the Canadian versions of the Creative Commons licences are drafted to be most effective in the Canadian legal environment, you are encouraged to select Canada as your jurisdiction when you select licences.

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Ti na pei kaneis gia to mi ths ahnhlls panah ? Ki egw otan eida ton toro na koitaei an exei kosmo h perioxh kai oxi na skuliazei na markarei sentra travousa ta tespa ..ta mallia mou .exeis apoluto dikio se osa eipes .einai h realistikh eikona ths omadas .oso gia to 8ema ths eurozone auth einai h ali8inh tromokratia kai oxi oi plasarismenoi' ston lao tromokrates wraia to polu polu na kanoume mia upotimhsh na klapsoun ligo oi megaloi kai na gelasoun oi mikromessaioi .na deis gia pote anevainei kai o tourismos sto ellada .!!!

!!! 4.2.2 Using the “All Rights Reserved” Model For Your Podcast In Canada, copyright protection is automatic. This means that you do not need to register your work with the Canadian Intellectual Property Office (CIPO) and you do not need to mark it with the © symbol.

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My wife and i ended up being now comfortable Michael could carry out his intngvisatioes through the entire ideas he was given from your very own weblog. It is now and again perplexing to simply be making a gift of guidelines that many men and women have been making money from. So we discover we've got you to give thanks to because of that. These explanations you've made, the simple website menu, the relationships your site make it easier to engender it is most great, and it's assisting our son and our family consider that the concept is exciting, which is certainly wonderfully vital. Thank you for the whole thing!

However, if you do register your copyright with CIPO, it will be useful evidence if you think that someone has infringed your copyright. See CIPO’s Copyright FAQ for more information about the benefits of registering your copyright: http://strategis.gc.ca/scmrksv/cipo/cp/faqcp-e.html#7. As licences go, of course, “All Rights Reserved” is not a licence at all.

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Sweetie,You are the best! I know for me and others we have been triyng so hard not to be Super Mom. In fact, I retired my red cape many many years ago. Actually I recall telling my husband Larry that he needs to retire his cape as well.He's been Atlas, holding up the world. Tough to conpete with that Dude!Super, take some time to smell the roses today and soon love to see you and have some bubbly!Take care,Arden

It is a clear indication to your audience that, while you are distributing your work, you choose not to allow others to copy it, distribute it or perform it. Note, however, that a work that is marked “All Rights Reserved” can also be licensed out on other terms.

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5 Background and Further Resources This section of the Guide offers some resources you may find helpful.

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By including these resources here, we do not “endorse” them, but hope that you find these to be useful places to get more information. There is, of course, a wealth of information in addition to these resources, and this is not intended to be an exhaustive list at all.

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B8QnFp <a href="http://qrlxwloucrqf.com/">qrlxwloucrqf</a>

Many other resources are available online and in your local library or bookstore.

5.1 Search Engines And Directories For Podcasts

http://www.canadapodcasts.ca/ http://www.canadianpodcastbuffet.ca/

5.2 Finding Podsafe Content

http://creativecommons.ca http://creativecommons.org/ http://www.audiofeeds.org/ http://music.podshow.com/ (the podsafe music network) http://www.podsafeaudio.com/

5.3 Websites With Legal Information On The Issues In This Guide

http://creativecommons.ca http://www.creativecommons.org http://strategis.gc.ca/sc_mrksv/cipo/welcome/welcom-e.html http://www.cippic.ca/en/ http://cyberlaw.stanford.edu http://www.eff.org <span lang="EN-CA" style="font-size:18.0pt;mso-bidi-font-size:24.0pt; font-family:"Times New Roman";mso-fareast-font-family:"Times New Roman"; mso-font-kerning:18.0pt;mso-ansi-language:EN-CA;mso-fareast-language:EN-US; mso-bidi-language:AR-SA">

6 Endnotes

[1] The definition of “musical work” was changed in 1993 to “any work of music or musical composition, with or without words.” Gervais and Judge note “while the fixation requirement isn’t expressly excluded, this seems to be the intended result.” In addition, under s. 15(1) a performer’s performance of music is specifically protected even if unfixed.

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See Daniel Gervais and Elizabeth F. Judge, Intellectual Property: The Law in Canada (Toronto: Thomson Carswell, 2005) at p.15 [Gervais and Judge]. [2] Copyright Act, R.S.C. 1985 c. C-42, < http://laws.justice.gc.ca/en/C-42/index.html>, s. 3(1). [3] Gervais and Judge, supra note NOTEREF _Ref165435595 \h 1 08D0C9EA79F9BACE118C8200AA004BA90B02000000080000000E0000005F005200650066003100360035003400330035003500390035000000 at 581.

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(1973), 1 OR (2d) 225, 40 DLR (3d) 15; Athans v. Canadian Adventure Camps Ltd. (1997), 17 OR (2d) 425, 80 DLR (3d) 583. “His (Lederman J in Gould, below) cautious conclusion was that although the Athans_ court imposed liability in the absence of a finding of endorsement, "it would seem open to the court to conclude, on a contextual basis, that the tort of appropriation of personality, is restricted to endorsement-type situations." Mitchell A. Flagg, “Star Crazy: Keeping The Right Of Publicity Out Of Canadian Law” (1999) Ad IDEM <http://www.adidem.org/articles/MF1.html> at 23.

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[5] Gould Estate v. Stoddart Publishing Co. [1998] 39 OR (3d) 545 <http://www.canlii.org/en/on/onca/doc/1998/1998canlii5513/1998canlii5513.html> [Gould Estate]. [6] Gervais and Judge, supra note 1 08D0C9EA79F9BACE118C8200AA004BA90B02000000080000000E0000005F005200650066003100360035003400330035003500390035000000 at p. 285.

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