This practice, outlined at http://creativecommons.org/technology/embedding, allows users of CC-enabled filesharing programs such as LimeWire and Morpheus to find and spread legal content.

Since the Canadian versions of the Creative Commons licences are drafted to be most effective in the Canadian legal environment, you are encouraged to select Canada as your jurisdiction when you select licences.

!!! 4.2.2      Using the “All Rights Reserved” Model For Your Podcast In Canada, copyright protection is automatic. This means that you do not need to register your work with the Canadian Intellectual Property Office (CIPO) and you do not need to mark it with the © symbol.

However, if you do register your copyright with CIPO, it will be useful evidence if you think that someone has infringed your copyright. See CIPO’s Copyright FAQ for more information about the benefits of registering your copyright: http://strategis.gc.ca/scmrksv/cipo/cp/faqcp-e.html#7. As licences go, of course, “All Rights Reserved” is not a licence at all.

It is a clear indication to your audience that, while you are distributing your work, you choose not to allow others to copy it, distribute it or perform it. Note, however, that a work that is marked “All Rights Reserved” can also be licensed out on other terms.

That is, you can put an “All Rights Reserved” notice on your podcast but then sell a licence to an organization so they can distribute it under the terms of that licence.

<span style="mso-bookmark: _Toc170033734"><span style="mso-bookmark: _Ref169543334"><span style="mso-bookmark: _Ref169542459"><span style="mso-bookmark: _Ref169541722">5         Background and Further Resources This section of the Guide offers some resources you may find helpful.

By including these resources here, we do not “endorse” them, but hope that you find these to be useful places to get more information. There is, of course, a wealth of information in addition to these resources, and this is not intended to be an exhaustive list at all.

Many other resources are available online and in your local library or bookstore.

5.1       Search Engines And Directories For Podcasts

http://www.canadapodcasts.ca/ http://www.canadianpodcastbuffet.ca/

5.2       Finding Podsafe Content

http://creativecommons.ca http://creativecommons.org/ http://www.audiofeeds.org/ http://music.podshow.com/ (the podsafe music network) http://www.podsafeaudio.com/

5.3       Websites With Legal Information On The Issues In This Guide

http://creativecommons.ca http://www.creativecommons.org http://strategis.gc.ca/sc_mrksv/cipo/welcome/welcom-e.html http://www.cippic.ca/en/ http://cyberlaw.stanford.edu http://www.eff.org <span lang="EN-CA" style="font-size:18.0pt;mso-bidi-font-size:24.0pt; font-family:"Times New Roman";mso-fareast-font-family:"Times New Roman"; mso-font-kerning:18.0pt;mso-ansi-language:EN-CA;mso-fareast-language:EN-US; mso-bidi-language:AR-SA">

6         Endnotes

<span lang="EN-CA" style="font-size:9.0pt;font-family: "Times New Roman";mso-fareast-font-family:"Times New Roman";mso-ansi-language: EN-CA;mso-fareast-language:EN-US;mso-bidi-language:AR-SA">[1] The definition of “musical work” was changed in 1993 to “any work of music or musical composition, with or without words.” Gervais and Judge note “while the fixation requirement isn’t expressly excluded, this seems to be the intended result.” In addition, under s. 15(1) a performer’s performance of music is specifically protected even if unfixed.

See Daniel Gervais and Elizabeth F. Judge, Intellectual Property: The Law in Canada (Toronto: Thomson Carswell, 2005) at p.15 [Gervais and Judge]. <span lang="EN-CA" style="font-size:9.0pt;font-family: "Times New Roman";mso-fareast-font-family:"Times New Roman";mso-ansi-language: EN-CA;mso-fareast-language:EN-US;mso-bidi-language:AR-SA">[2] Copyright Act, R.S.C. 1985 c. C-42, < http://laws.justice.gc.ca/en/C-42/index.html>, s. 3(1). <span lang="EN-CA" style="font-size:9.0pt;font-family: "Times New Roman";mso-fareast-font-family:"Times New Roman";mso-ansi-language: EN-CA;mso-fareast-language:EN-US;mso-bidi-language:AR-SA">[3] Gervais and Judge, supra note  NOTEREF _Ref165435595 \h 1 08D0C9EA79F9BACE118C8200AA004BA90B02000000080000000E0000005F005200650066003100360035003400330035003500390035000000 at 581.

<span lang="EN-CA" style="font-size:9.0pt;font-family: "Times New Roman";mso-fareast-font-family:"Times New Roman";mso-ansi-language: EN-CA;mso-fareast-language:EN-US;mso-bidi-language:AR-SA">[4] _Krouse v. Chrysler Canada Ltd.

(1973), 1 OR (2d) 225, 40 DLR (3d) 15; Athans v. Canadian Adventure Camps Ltd. (1997), 17 OR (2d) 425, 80 DLR (3d) 583. “His (Lederman J in Gould, below) cautious conclusion was that although the Athans_ court imposed liability in the absence of a finding of endorsement, "it would seem open to the court to conclude, on a contextual basis, that the tort of appropriation of personality, is restricted to endorsement-type situations." Mitchell A. Flagg, “Star Crazy: Keeping The Right Of Publicity Out Of Canadian Law” (1999) Ad IDEM <http://www.adidem.org/articles/MF1.html> at 23.

<span lang="EN-CA" style="font-size:9.0pt;font-family: "Times New Roman";mso-fareast-font-family:"Times New Roman";mso-ansi-language: EN-CA;mso-fareast-language:EN-US;mso-bidi-language:AR-SA">[5] Gould Estate v. Stoddart Publishing Co. [1998] 39 OR (3d) 545 <http://www.canlii.org/en/on/onca/doc/1998/1998canlii5513/1998canlii5513.html> [Gould Estate]. <span lang="EN-CA" style="font-size:9.0pt;font-family: "Times New Roman";mso-fareast-font-family:"Times New Roman";mso-ansi-language: EN-CA;mso-fareast-language:EN-US;mso-bidi-language:AR-SA">[6] Gervais and Judge, supra note 1 08D0C9EA79F9BACE118C8200AA004BA90B02000000080000000E0000005F005200650066003100360035003400330035003500390035000000 at p. 285.